219 / 254
APRIL GREIMAN (1948- )
305
●
GRAPHIC DESIGN IN AMERICA. 1989.
18
1
/
2
x43
3
/
4
inches, 47x111 cm.
Condition A. Printed on glossy paper.
Greiman np.
[400/600]
KOICHI SATO (1944- )
306
●
THE MODERN POSTER. 1988.
40x28
1
/
2
inches, 101
1
/
2
x72
1
/
2
cm.
Condition A: minor abrasions at edges. Paper.
Sato, who runs his own studio in Tokyo, is known for producing abstract, mysterious images using
sophisticated colors and airbrushed clouds. He “brings delicate color motifs and metaphysical forms
to his quietly poetic designs”
(http://www.historygraphicdesign.com). He is a member of both the
Alliance Graphique Internationale and the Tokyo Art Directors Club. For the seminal poster exhibition
at MoMA, Sato (who also had two works in the show) presents a visual haiku, in which the message
of the words is larger than the multi-colored background.
[400/600]
306