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86

(LOCOMOTIVES)

Group of 17 photographs of locomotives in various settings, comprising 11 views of 19th-century

Scottish, British, Chinese,American, and Swiss rail cars, as well as scenes of train tracks, and 6 assorted

20th-century prints of Czech, Canadian, and American trains.With one each by Kellogg, Pierre

Petit, Charles Savage, Schembothe, Dan Polan, Jan Vavra, and Ladislav Postupa. Albumen (8),

photoglobs (2), printing-out paper (one), and silver (6) prints, various sizes from 3

1

/

4

inches square

to 11x14 inches (8.3x8.3 to 27.9x35.6 cm.), the prints are either signed in the plate or on mounts

recto and/or verso. 1860s-1970

[1,200/1,800]

85

(LUMBER INDUSTRY)

Binder containing 36 occupational photographs

depicting woodlands in Portland, Oregon and

Challam Bay, Washington (specifically, McNeill

O’Heron Sprice Camp), by two accomplished

commercial photographers,Arthur M. Prentiss and

W.A. Ellison.With scenes of lumberjacks at work,

views of majestic redwood trees, and group studies

of laborers running lumber, comprising 26 by

Prentiss and 10 mounted photographs by Ellison.

Silver prints, 10 are mounted and the image size is

6

1

/

2

x4

1

/

2

inches (15.9x11.4 cm.), and 26 are

unmounted and measure approximately 9x7 inches

(22.9x17.8 cm.), and the reverse; most with

Prentiss’ hand stamp on verso or credit in the

negative, and a few with Ellison’s caption and/or

credit in the negative. Circa 1915

[700/1,000]

The Oregon-based photographer Prentiss worked in

various photography studios between 1913-22. In

1917, he joined Benjamin A. Gifford, resulting in a

partnership, Gifford-Prentiss Inc. that lasted until

Gifford retired, in 1920.

85

86