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26
●
JAMES A. M.WHISTLER
Black LionWharf
.
Etching on cream wove paper, 1859. 150x225 mm; 5
7
/
8
x8
7
/
8
inches,wide margins.MacDonald’s
fourth state (of 4).A brilliant, richly-inked impression with very strong contrasts. Kennedy
42; Glasgow 54.
[2,500/3,500]
27 JAMES A. M.WHISTLER
EagleWharf
.
Etching printed in black on cream laid Japan paper, 1859. 138x213 mm; 5
1
/
2
x8
3
/
8
inches,
full margins. MacDonald’s first state (of 2), before cancellation. Ex-collection Albert Henry
Wiggin (Lugt 2820a, lower right recto).A brilliant, richly-inked and early impression with
all the details distinct, with very strong contrasts, crisp plate edges and warm plate tone.
Kennedy 41; Glasgow 50.
[2,000/3,000]
28
●
JAMES A. M.WHISTLER
Two etchings.
Thames Police
, with drypoint, 1859. 151x221 mm; 5
7
/
8
x8
7
/
8
inches, wide margins.MacDonald’s
fifth state (of 5) *
Vauxhall Bridge
, 1861. 70x116 mm; 2
1
/
2
x4
5
/
8
inches, wide margins.
MacDonald’s second state (of 2), after cancellation.Very good, richly-inked impressions.
Kennedy 44 and 70; Glasgow 53 and 75.
[1,500/2,500]
28