281 / 314
386
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EDWARD STEICHEN.
Steichen: The Photographer.
Text by Carl Sandburg.With full-page reproductions of photographs by Steichen, including a self-
portrait frontispiece and much of Steichen’s classical imagery, printed in handsome sepia tones. 4to,
black cloth with the gilt-lettered title on the front cover, lightly worn; scattered faint soiling
internally. Roth 54; Auer 143; Hasselblad 86. FIRST EDITION, ONE OF 925 NUMBERED
COPIES SIGNED BY STEICHEN AND SANDBURG, AND ADDITIONALLY DOUBLY
SIGNED AND INSCRIBED BY STEICHEN.
(NewYork): Harcourt, Brace, and Company, 1929
[1,400/1,800]
386
388
387
387
●
EUGÉNE ATGET.
Atget: Photographe de Paris.
Preface by Pierre Mac Orlan. With 96 sepia
collotype reproductions of Atget’s lyrical photo-
graphs. 4to, maroon gilt-lettered cloth, lightly
soiled, dampstain to lower rear cover. Roth 60;
Parr/Badger II 127. FIRST EDITION, WITH
BRETT WESTON AND DODY WESTON
THOMPSON’S OWNERSHIP SIGNATURES
ONTHE FRONT FREE ENDPAPER.
NewYork: E.Weyhe, [1930]
[1,000/1,500]
388
●
BRASSAÏ.
Paris de Nuit.
Text by Paul Morand. Beautifully illustrated with
60 rich gravure reproductions of Brassaï’s photo-
graphs. 4to, photo-pictorial wrappers with a spiral
binding, edgewear. Roth 76; Parr/Badger I 134;
Hasselblad 110. FIRST EDITION, SIGNED
AND INSCRIBED BY BRASSAÏ.
Paris: Édition Arts et Métiers Graphiques, [1933]
[2,500/3,500]