12 / 232
4
●
MARCUS A. ROOT (1808-1888)
General Tom Thumb (Charles Sherwood Stratton).
A formal daguerreotype portrait of the remarkable
child performer, who is depicted with his parents. Sixth-plate daguerreotype, 3
1
/
2
x2
3
/
4
inches (8.9x7
cm.), with light tinting and gilting; sealed; in an embossed leather case (front cover detached), with
the stenciled name Mary Byington. Circa 1846
[30,000/40,000]
Purchased from Sotheby’s NewYork, October 23, 1994, lot 110; to a Private Collector, who discovered
that the photographer was actually Marcus A. Root, a photographer then based in Philadelphia.
At the age of five, General Tom Thumb was an international superstar and among the most
photographed subjects of theVictorian age. Discovered in Connecticut by the renowned impresario
P.T. Barnum, Charles Sherwood Stratton (1838-1883) weighed fifteen pounds and was about two
feet tall. Barnum personally taught the young performer song and dance routines; the General also
delivered humorous skits, and impersonated Napoleon Bonaparte.
Like many photographers of the daguerreian period, Marcus Root studied painting before dedicating
himself to the art of photography. This studio portrait demonstrates a sensitivity to light and
composition, and is skillfully hand-tinted to enhance subtle details.A unique portrait, Root arranged
the family members in an unusual configuration. Instead of the patriarch of the family occupying
center stage,Tom Thumb himself (who is straddling a tiny wooden chair, which is perched atop a
circular table) is the focus of the composition. Root’s thoughtful arrangement elevates the tiny
performer so that he is nearly the same height as his seated parents. In this way,TomThumb’s status
as an international celebrity, and the most financially successful performer in Barnum’s troupe, is
artfully underscored.
An advertisement for Root’s gallery at 140 Chestnut Street mentions “GEN TOM THUMB with
his Mother and Father (as daguerreotyped by Root).” Root also proudly proclaimed how he
concerned himself with conveying aesthetic details: “Attention is invited to the distinct, lively and
life-like expression of the EYE. . .”
The Strattons were involved in many aspects of their son’s career. Mrs. Stratton lived with Tom in
NewYork City, and traveled with him on tours, including his triumphant trip to Europe, in 1844-
47. This is believed to be the only extant portrait of Tom Thumb with both his parents, and the
only portrait of Mrs. Stratton.
P.T. Barnum, America’s Greatest Showman
(Knopf, 1995), p. 61; George Sullivan,
Tom Thumb: The
Remarkable True Story of a Man in Miniature
(Houghton Mifflin, 2011), p. 10.