Auction Highlights: The Artist’s of the WPA — January 30, 2025

Timed Sale — Bidding Opens 10 AM Thursday

Lots begin closing Tuesday, January 30 at 12:00 PM ET

Works in photography, cartography, printmaking, posters, and painting are all represented in this reflection on how the early twentieth century changed American culture.

Thomas Hart Benton, Morning Train, lithograph, 1943. Estimate $2,000 to $3,000.

Government Support for Artists During the Great Depression

The economic hardships of the 1930s, as well as the drought across the North American prairie, were of great concern to lawmakers in Washington, DC. The agencies that formed as part of the New Deal, an “alphabet soup” that included the Works Progress Administration, the Farm Security Administration, and the Federal Art Project, put artists to work. These artists expressed empathy for the American farmer, as seen in Thomas Hart Benton’s romanticized vision of farm life in Missouri Farmyard, and Dorothea Lange’s tender documentation of the plight of families experiencing the Dust Bowl era. 

Arthur Rothstein, Girl at Gees Bend, Alabama, silver print, 1937; printed circa 1980. Estimate $2,000 to $3,000.
Jaroslav H. “Jara” Valenta, Correspondence, exhibition programs, and membership cards of WPA artist, various places, 1929-1946. Estimate $800 to $1,200.

Rural Free Delivery and WPA Art in American Society

R.F.D. 36, by Paul Meltsner, depicts a government worker steadily on his route delivering mail to the rural farms in the American heartland—a dead tree between the farmer and mail carrier emphasizes the perseverance in the face of hardship that the American people endured. Rural Free Delivery (R.F.D.) was a concept that moved the burden of mail delivery from that of individual households in rural areas to a single mail carrier. This concept was first discussed in America toward the end of the nineteenth century, and it was voted into law by Congress in 1902 as a national program. Other artists depicting Social Realist works for the WPA include Seymour Fogel, Louis Lozowick, William Gropper, and Reginald Marsh.

Paul Raphael Meltsner, R.F.D. 36, oil on canvas. Estimate $4,000 to $6,000.
Louis Lozowick, Open Mine (Crushed Rock), lithograph, 1937. Estimate $1,500 to $2,500.
Yvonne Twining Humber, South Rutland Street, Boston, oil on canvas, 1937. Estimate $3,000 to $5,000.
Albert Pels, Carnival Scene, oil on canvas. Estimate $2,000 to $3,000.
Lester Beall, A Turn of the Hand / Rural Electrification Administration, silkscreen poster on paper, circa 1939. Estimate $2,000 to $3,000.
Works Progress Administration – District 15, Pennsylvania County Seats and Population, oversize hand-painted map of Pennsylvania, Pittsburgh, circa 1936. Estimate $1,500 to $2,000.
Robert Gwathmey, Circus Signs, oil on canvas, 1962. Estimate $3,000 to $5,000.
Mabel Dwight, Dusk, Staten Island, lithograph, 1939. Estimate $1,200 to $1,800.
William Lindsay Taylor, Freight Handlers, Weehawken, New Jersey, oil on canvas. Estimate $2,000 to $3,000.
Reginald Marsh, Figures at Coney Island Beach, ink and watercolor on paper laid to illustration board, 1941. Estimate $3,000 to $5,000.
Designers Unknown, Philadelphia Historical Buildings, group of 3 lithographed posters of historical buildings in Philadelphia, WPA, circa 1935-43. Estimate $1,200 to $1,800.
James Daugherty, Untitled (Mural Study), watercolor and charcoal on cream wove paper. Estimate $1,500 to $2,500.

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