New Record for Richmond Barthé in June 4, 2020 Sale of African-American Fine Art Our sale of African-American Fine Art on June 4, 2020 was met with much fanfare, despite an online-only format due to social distancing guidelines in New York City. The sale bested its high estimate and totaled $3.5 million. The auction resulted in numerous auction records and had an 88% sell-through rate by lot. Richmond Barthé Richmond Barthé, Feral Benga, cast bronze, with dark brown patina, modeled in 1935, cast in 1986. Sold for $629,000, a record for the artist. The sale was led with an artist record for Richmond Barthé, whose cast bronze sculpture Feral Benga sold to a collector for $629,000. The work, which was modeled in 1935 and cast in 1986, represents the culmination of Barthé’s study of the figure in sculpture, anatomy and dance in the 1930s, and his pioneering realization of an ideal male nude. “We had a number of interested parties who together swiftly bid the lot up to around $100,000, but the bidding quickly became a battle between two very determined collectors. Feral Benga is the sculptor’s best-known work and a notable artwork from the Harlem Renaissance making it a desirable work for collectors.” Sculptures Nigel Freeman – Director, Afrian-American Fine Art Related Reading: The Elegant Sculptures of Richmond Barthé Sculptures James W. Washington, Jr., Life, carved stone, mounted on a wooden pedestal, 1971. Sold for $18,750, a record for the artist. Additional works in sculpture included Elizabeth Catlett’s 1975 carved mahogany form of a standing woman, which brought $125,00; Simone Leigh’s 2001 salt-fired stoneware vessel, which earned $75,000; and James W. Washington, Jr.’s 1971 carved stone sculpture Life, which brought a record for the artist at $18,750. Related Reading: Fine Sculpture by African-American Artists Post-war Art David Hammons, Untitled, paper collage and tempera on board, 1965. Sold for $137,000. David Hammons’s 1965 paper collage of two raised fists was the earliest of the artist’s works to be seen at auction. The work came across the block at $137,000. Further works from the post-war period featured Romare Bearden’s Aphrodite, a 1973 collage and acrylic work from his The Prevalence of Ritual series, which saw $106,250. Ernie Barnes Ernie Barnes, New Shoes, acrylic on canvas, circa 1970. Sold for $68,750, a record for the artist. A run of paintings by artist and athlete Ernie Barnes proved to be successful with all five of the works on offer finding buyers. Highlights included New Shoes, circa 1970, which set a record for the artist at $68,750, as well as In the Beginning, circa 1970, and Pool Hustlers, circa 1969, both offered in artist-built frames, sold for $57,500 and $55,000, respectively. African-American Photographers LaToya Ruby Frazier, Gramps on His Bed, silver print, 2002. Sold for $10,625, an auction debut for the artist. Photography featured a portfolio of 18 mounted silver and sepia-toned prints of various families from the Harlem Renaissance, 1905-38, by James VanDerZee, which saw $35,000. LaToya Ruby Frazier made her market debut with two works in the sale: Gramps on His Bed, silver print, 2002, at $10,625, and Grandma Ruby’s Porcelain Dolls, silver print, 2004, at $9,375. Related Reading: Collecting Photographs by African-American Women and Collecting Works by African-American Photographers Abstract Painting Betty Blayton, Together, oil and collage on canvas, 1971. Sold for $35,000, a record for the artist. Highlights in abstraction included Betty Blayton’s 1971 oil and collage tondo Together, which earned a record for the artist at $35,000, and Sam Gilliam’s Horses Upside Down, acrylic on polypropylene on canvas, 1998, at $125,000. A run of oil on paper abstractions by Norman Lewis rounded out the genre. “I am very pleased with what was an exciting and successful auction. The African-American secondary art market showed its resilience in Thursday’s sale. We saw continued strong results for artists like Romare Bearden, John Biggers, Elizabeth Catlett, Sam Gilliam and David Hammons, generally across the post-war market. We also set new auction record price levels for Richmond Barthé, Ernie Barnes, Betty Blayton, Emilio Cruz and Lucille Malakia Roberts, as well as contemporary artists like Michael Cummings, Franks Deceus, LaToya Ruby Frazier and Suzanne Jackson. The success of this sale also shows how Swann has embraced this new realm of remote bidding for our live auctions. It all went remarkably well, including over a hundred clients using our app. With great planning and coordination, our whole sales team did an amazing job,” Nigel Freeman – Director, African-American Fine Art Browse the complete list of results from our June 4, 2020 sale of African-American Fine Art. More about consigning with Swann. Share Facebook Twitter June 11, 2020Author: Kelsie JankowskiCategory: African American Art Tags: African-American Fine Art Betty Blayton David Hammons Elizabeth Catlett Ernie Barnes James VanDerZee James W. Washington LaToya Ruby Frazier Norman Lewis Richmond Barthé Romare Bearden Sam Gilliam Simone Leigh Previous Maps & Atlases, Natural History & Color Plate Books: At Auction July 9, 2020 Next An Introduction to the Transcendental Painting Group Recommended Posts 8 Works to Collect For Spring African American Art April 2, 2024 Specialists in the Field: Nigel Freeman at the Tate African American Art August 1, 2017 Upcoming Highlights: Contemporary Artists’ Books: The Property of a Texas Collector—At Auction November 9, 2021 Books & Manuscripts October 28, 2021