Specialist
Exhibition Hours
Oct 14, 12–5; Oct 16, 12–5; Oct 17, 12–5; Oct 18, 12–5
Sale 2649 - Lot 21
Additional Images
6
Sale 2649 - Lot 21
Estimate: $ 20,000 - $ 30,000
ALLAN ROHAN CRITE (1910 - 2007)
Untitled (Study for Sunlight and Shadow)..
Watercolor, pen and ink on wove paper, mounted to illustration board, 1940. 280x380 mm; 11x15 inches. Signed, initialed and dated "Aug. 1940" in ink, lower right.
Provenance; private collection, Boston; thence by descent, private collection (2010).
This charming watercolor by Allan Rohan Crite is a scarce and significant example of a large 1940s watercolor and a study for an oil painting. The watercolor is a preparatory work for Crite's 1941 oil painting Sunlight and Shadow in the collection of the Smithsonian American Art Museum, Washington, DC. This early composition has a number of notable differences in the grouping and figures included. It depicts a group of three generations, a gathering of women and children, in Madison Park in Boston's South End. The title refers to the dappled sunlight through the shady trees; the artist's interest in light is more apparent in the later oil painting.
Untitled (Study for Sunlight and Shadow)..
Watercolor, pen and ink on wove paper, mounted to illustration board, 1940. 280x380 mm; 11x15 inches. Signed, initialed and dated "Aug. 1940" in ink, lower right.
Provenance; private collection, Boston; thence by descent, private collection (2010).
This charming watercolor by Allan Rohan Crite is a scarce and significant example of a large 1940s watercolor and a study for an oil painting. The watercolor is a preparatory work for Crite's 1941 oil painting Sunlight and Shadow in the collection of the Smithsonian American Art Museum, Washington, DC. This early composition has a number of notable differences in the grouping and figures included. It depicts a group of three generations, a gathering of women and children, in Madison Park in Boston's South End. The title refers to the dappled sunlight through the shady trees; the artist's interest in light is more apparent in the later oil painting.