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120

PIERRE BONNARD (after)

Interieur (L’Atelier d’artiste).

Color offset lithograph, circa 1940. 429x467 mm; 16

7

/

8

x18

3

/

8

inches, wide margins. Signed

and numbered 88/250 in pencil, lower margin.A very good impression with fresh colors.

[1,000/1,500]

121

PIERRE BONNARD (after)

La Femme au Chien.

Color aquatint, etching and roulette, 1924-25. 502x245 mm; 19

3

/

4

x9

3

/

4

inches, full margins.

Signed by Bonnard and numbered 145/200 in pencil, lower margin. Etched by Jacques

Villon. Published by Galerie Bernheim-Jeune, Paris. A very good impression with strong

colors. Ginestet/Pouillon 643 (Villon).

[3,000/5,000]

121A

HENRI TOULOUSE-LAUTREC

Traîneau.

Pencil on paper, circa 1879-80. 146x235 mm; 5

3

/

4

x9

1

/

4

inches. Inscribed “Escort Russe” in

pencil, lower center recto. Ex-collection Baron Séré de Rivières, France, with the collection

ink stamp lower right recto;Thomas A. Perls,Washington, D. C.; and Reid Gallery, London,

with the original label.

Exhibited “Lautrec at 16,” Durand-Ruel Galleries, NewYork, February 1945.

Published in M.G. Dortu,

Toulouse-Lautrec et son oeuvre

, 1971, volume 4, pages 170-71,

number 1019 (illustrated).

[5,000/8,000]

121A