120
●
PIERRE BONNARD (after)
Interieur (L’Atelier d’artiste).
Color offset lithograph, circa 1940. 429x467 mm; 16
7
/
8
x18
3
/
8
inches, wide margins. Signed
and numbered 88/250 in pencil, lower margin.A very good impression with fresh colors.
[1,000/1,500]
121
●
PIERRE BONNARD (after)
La Femme au Chien.
Color aquatint, etching and roulette, 1924-25. 502x245 mm; 19
3
/
4
x9
3
/
4
inches, full margins.
Signed by Bonnard and numbered 145/200 in pencil, lower margin. Etched by Jacques
Villon. Published by Galerie Bernheim-Jeune, Paris. A very good impression with strong
colors. Ginestet/Pouillon 643 (Villon).
[3,000/5,000]
121A
●
HENRI TOULOUSE-LAUTREC
Traîneau.
Pencil on paper, circa 1879-80. 146x235 mm; 5
3
/
4
x9
1
/
4
inches. Inscribed “Escort Russe” in
pencil, lower center recto. Ex-collection Baron Séré de Rivières, France, with the collection
ink stamp lower right recto;Thomas A. Perls,Washington, D. C.; and Reid Gallery, London,
with the original label.
Exhibited “Lautrec at 16,” Durand-Ruel Galleries, NewYork, February 1945.
Published in M.G. Dortu,
Toulouse-Lautrec et son oeuvre
, 1971, volume 4, pages 170-71,
number 1019 (illustrated).
[5,000/8,000]
121A