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36
●
JAMES A. M.WHISTLER
Riva, No. 2
.
Etching printed in dark, brownish black on cream laid paper, 1879-80. 211x307 mm;
8
3
/
8
x12
1
/
4
inches. MacDonald’s first state (of 2), before cancellation. Edition of
approximately 30. Signed with the butterfly and inscribed “imp” in pencil on the tab,
lower left. From
Twenty-Six Etchings
. A superb, well-inked and warm impression of this
important etching. Kennedy 206; Glasgow 230.
[10,000/15,000]
37
●
JAMES A. M.WHISTLER
Long Lagoon
.
Etching and drypoint printed in dark, brownish black on cream laid paper, 1879-80.
154x228 mm; 6
1
/
4
x9 inches. MacDonald’s second state (of 2), before cancellation. Edition
of approximately 30. Signed with the butterfly and inscribed “imp” in pencil on the tab,
lower left. From
Twenty-Six Etchings
.A superb, warm impression of this very scarce etching,
with selective wiping in the water. Kennedy 203; Glasgow 243.
[8,000/12,000]
38
●
JAMES A. M.WHISTLER
Dordrecht
.
Etching and drypoint printed in dark, brownish black on antique, cream laid paper, 1884-
86. 151x226 mm; 6x8
7
/
8
inches (sheet). MacDonald’s second state (of 2), before
cancellation. Signed with the butterfly and inscribed “imp.” in pencil on the tab, lower
left. A brilliant impression of this exceedingly scarce etching with warm plate tone and
strong contrasts, with the selective wiping strokes in the water.
MacDonald cites only 12 known impressions of this etching. The current impression is
similar to the impression “with soft graduated tone” now at the Colby College Museum
of Art,Waterville, ME (formerly in the collection of Mortimer Menpes, London). Kennedy
242; Glasgow 259.
[15,000/20,000]
36