225
●
THOMAS HART BENTON
Aaron
.
Lithograph, 1941. 328x242 mm; 12
7
/
8
x9
1
/
2
inches, full margins. Edition of 250. Signed in
pencil, lower right. Published by Associated American Artists, New York. A very good,
well-inked impression with strong contrasts. Fath 42.
[1,500/2,500]
226 THOMAS HART BENTON
Slow Train through Arkansas
.
Lithograph, 1941. 255x326 mm; 10x12
3
/
4
inches, wide margins. Edition of 250. Signed in
pencil, lower right. Published by Associated American Artists, New York. A superb
impression with strong contrasts. Fath 46.
[5,000/8,000]
227
●
THOMAS HART BENTON
Island Hay
.
Lithograph, 1945. 255x322 mm; 10x12
5
/
8
inches,wide margins. Edition of 250. Signed in pencil,
lower right. Published by Associated American Artists, NewYork.A superb, dark impression.
As the title references, this lithograph represents a farming scene on Martha’s Vineyard,
where the small, uneven, rock-impeded fields were still cut with scythes.The lithograph
is based on a drawing and painting of the same subject that Benton made in the mid-
1920s. Fath 68.
[2,000/3,000]
225