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225

THOMAS HART BENTON

Aaron

.

Lithograph, 1941. 328x242 mm; 12

7

/

8

x9

1

/

2

inches, full margins. Edition of 250. Signed in

pencil, lower right. Published by Associated American Artists, New York. A very good,

well-inked impression with strong contrasts. Fath 42.

[1,500/2,500]

226 THOMAS HART BENTON

Slow Train through Arkansas

.

Lithograph, 1941. 255x326 mm; 10x12

3

/

4

inches, wide margins. Edition of 250. Signed in

pencil, lower right. Published by Associated American Artists, New York. A superb

impression with strong contrasts. Fath 46.

[5,000/8,000]

227

THOMAS HART BENTON

Island Hay

.

Lithograph, 1945. 255x322 mm; 10x12

5

/

8

inches,wide margins. Edition of 250. Signed in pencil,

lower right. Published by Associated American Artists, NewYork.A superb, dark impression.

As the title references, this lithograph represents a farming scene on Martha’s Vineyard,

where the small, uneven, rock-impeded fields were still cut with scythes.The lithograph

is based on a drawing and painting of the same subject that Benton made in the mid-

1920s. Fath 68.

[2,000/3,000]

225