80
●
PAUL RANSON
La cloche engloutie
.
Lithograph, 2 impressions 1897.One 292x238
mm; 11
1
/
2
x9
3
/
8
inches; the other 307x236
mm; 12x9
3
/
8
inches, full margins.One a proof
before letters, inscribed “No. 16” in pen and
ink, lower right. Printed by EugèneVerneau,
Paris. Published by Théâtre de l’Œuvre,
Paris. Both very good impressions.
[800/1,200]
81
●
Group of 7 programs for
Théâtre de
l’Œuvre
.
RENÉ HERMANN-PAUL.
Le Brebis and
Le Tandem
, lithograph, 1896. Proof before
full text * MAXIME DETHOMAS.
Une
Mère; Brocèliande; Les Flaireurs; Des Mots!
Des Mots!,
lithograph, 1896. Aitken 79 *
THÉOPHILE STEINLEN.
L’Ennemi du
Peuple
, lithograph, 1899. Crauzat 235 *
FÉLIXVALLOTTON.
“Père” de Strindberg
,
lithograph, 1894. Vallotton/Goerg 53a *
JEAN GEORGES VIBERT.
La Victoire
,
lithograph printed in brown, 1897 *
ERNEST LA JEUNESSE.
La Comédie de
L’Amour
, lithograph printed in blue, 1897 *
TANCREDE SYNAVE.
L’Ame Invisible
,
color lithograph, 1895. Each published by
Théâtre de l’Œuvre, Paris.Various sizes and
conditions.Very good impressions.
[1,200/1,800]
80
81