125 / 172
193
●
JOHN TINNEY
McCUTCHEON.
Group of 3 political cartoons. Pen and ink,
each signed “McCutcheon,” and mounted
on black card.
[400/600]
Untitled. Pen and ink with a blue wash.
455x365 mm; 18x14
1
/
4
inches. Signed in
lower right image. 1920 * Untitled. Pen and
ink, whiteout. 320x422 mm; 12
1
/
2
x16
3
/
4
inches. Signed lower right. 1920 * “U.S.A.
Girth Control.” Pen and ink. 515x360mm ;
20x14
1
/
4
inches. Signed lower right with
“Copyright 1942 by the ChicagoTribune.”
194
●
BUD SAGENDORF.
Popeye. 4-panel daily comic strip. Ink and zipatone on stiff paper. 152x483 mm; 6x19
inches. Signed in last panel and dated January 9 by Sagendorf, and with King Features
Syndicate, Inc. stamp dated 1961.
[200/300]
195
●
CHARLES SAXON.
Washington Square Arch * 1 Newsweek
cartoon. Together, 2 illustrations. Both
watercolor and ink over graphite.
Washington Square Arch is on paper
mounted to illustration board, 407x292
mm; 16x11
1
/
2
inches, image. Signed in
image, lower right and inscribed and
signed “For Rosemary and Peter [Mills],
with love” in lower margin. Not dated *
Cartoon published in the January 16,
1978 issue of Newsweek (for the main
article “How Men are Changing” by
David Gelman) originally 267x324 mm;
10
1
/
2
x12
3
/
4
inches, glued to board with
artist’s stamp and Newsweek issue identi-
fied in pencil on verso. Both matted and
framed.
[500/750]
193
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195