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180

JOYCE, JAMES.

Anna Livia Plurabelle, Part I from “Work In Progress.”

12-inch, 78 rpm shellac record album, white labels printed in green (70mm; 85mm diame-

ters), with “The Orthological Institute, 10 King’s Parade, Cambridge” on both labels and

“Manufactured by The Gramophone Co., Hayes, Middlesex” on Part II only, reference

number in pencil on one side; original brown paper sleeve, edge splits and few small chips

and creases; preserved in custom cloth folding portfolio with matching clamshell box

(Alexander Neubauer bookplate).

FIRST PRESSING OF THIS RECORDING

, produced by C.K. Ogden in Cambridge (later press-

ings were issued by His Master’s Voice; the Argus Book Shop, Chicago; and the Gotham

Book Mart, NewYork). Slocum and Cahoon incorrectly list London as the site where the

recording was made; Sylvia Beach writes: “Mr. Ogden boasted that he had the two biggest

recording machines in the world at his Cambridge studio and told me to send Joyce over

to him for a real recording. And Joyce went over to Cambridge for the recording of Anna

Livia Plurabelle” (Beach, p. 176). A typescript in half-inch letters was prepared to compen-

sate for Joyce’s dwindling sight, but the overhead illumination in the studio proved

inadequate so that Joyce ended up reciting much of the text from memory, prompted by

Ogden, who is audible at moments on the recording. Slocum and Cahoon p. 173.

Cambridge:The Orthological Institute, [1929]

[4,500/6,000]

WITH

-

Typed letter signed, “Yours sincerely, T.S.

Eliot” to “Dear Ogden.” London. June 30,

1930. 4to, one leaf, recto only, on the Criterion

stationery, with autograph emendations in black

ink. Eliot’s request for both his paid copy of the

album and a review copy for an upcoming series of

reviews of Joyce’s work in the Criterion.

Reads in full: “Dear Ogden, Having not come

across you at the Club for some time, I am writing

to claim my copy of the Joyce gramaphone [sic]

record. Can you let me know how it can be sent to

me here, and I will send my cheque forthwith.

Hamish Miles is reviewing our

ANNA LIVIA

PLURABELLE

, together with

SHEM AND SHAUN

,

and

HAVETH CHILDERS EVERYWHERE

, and

Gilbert’s

ULYSSES

in the September Criterion and

he would very much like to review the gramaphone

[sic] record at the same time.Would it be possible,

in consideration of the fact that we are advertising

the record with

ANNA LIVIA

, (which, I may men-

tion, is now in its third impression) to provide a

review copy of the record? Miles has a gramaphone

[sic]. But if you can’t give away a copy, I will lend

him mine when it comes. By the way, I had

intended to send you a complimentary copy of

Gilbert’s book when it was published, and by an

oversight this wasn’t done. If you have not got a

copy I should be delighted to send you one now.

Yours sincerely, [signed] T.S. Eliot.”

AN IMPOR

-

TANT LITERARY ASSOCIATION

.