167 198
261
●
EGGLESTON,WILLIAM.
William Eggleston’s Guide.
Essay by John Szarkowski. Illustrated with reproductions of Eggleston’s color photographs. Small
4to, gilt-lettered leatherette with mounted photographic reproduction; interally scattered foxing at
the beginning and end. Roth 234; Parr/Badger 265; Hasselblad 308.
FIRST EDITION
,
SIGNED BY JOHN
SZARKOWSKI TO BILL OSMUN
.
NewYork:TheMuseum of Modern Art, (1976)
[600/900]
Also with a short letter from Bill Osmun to Wilma Gottlieb, along with a 1976 New Yorker article titled
“Photography, Diana and Nikon” and a NewYork article titled “MoMA Lowers the Color Bar.”The letter says,
“Have you seen the enclosed? It seems to find place forWm. Eggleston in an historical context, at least as far as
John Szarkowski conceives it.” It goes on to discuss Imogen Cunningham as well as the Western Association of
Art Museums.Also with an invitation to a University of California exhibition ofWilliam Eggleston’s work, 1977.
Osmun was the senior curator for the Los Angeles County Museum of Art (LACMA) during its early years.
260A
●
WINOGRAND, GARRY.
Women Are Beautiful.
With an Essay by Helen Gary Bishop.
Illustrated with full-page reproductions of
Winogrand’s images of “women who are
beautiful in the photographs.” Small oblong
4to, black cloth; photo-pictorial dust jacket.
Parr/Badger I 257: Roth 192-193.
FIRST
EDITION
,
SIGNED BY WINOGRAND ON THE
HALF
-
TITLE
.
New York: Light Gallery/Farrar Straus
Giroux, (1975)
[1,500/2,500]
260A
261