Skip to Content

Log In
Create Account

Search Site Search:

Mobile Navigation-->

Auctions & Catalogues
Departments
News
About
Contact
Log In
Register

Search Site Search:

Georg-Agricola-de-re-metallica-1561

Share

Facebook
Twitter

November 14, 2019
Author: Kelsie Jankowski

@swanngalleries on Instagram

Follow Us on Instagram

swanngalleries

Specializing in rare books, fine art and everything in between.
President & principal auctioneer: @nicholowry

Happy International Dog Day from one of Swann’s

Happy International Dog Day from one of Swann’s favorite guard dogs ❤️

Stompers, a West Village boot store, was owned by

Stompers, a West Village boot store, was owned by classical composer Louis Weingarden. The store also featured a gallery in the backroom of its retail space at 259 West Fourth Street that exhibited leather fetish art. Weingarden exhibited many artists and illustrators in its circle, including Tom of Finland, Domino, and Rex. ⁠
⁠
Read more about Weingarden, the gallery, and the artists who occupied its walls at the link in our bio.⁠
⁠
Pictured here is a flyer for the 1978 group exhibition at Stompers featuring Tom of Finland and Etienne. Estimate $1,500 to $2,500.

Swann is closing out the summer season tomorrow, A

Swann is closing out the summer season tomorrow, August 22 with LGBTQ+ Art, Material Culture & History beginning at 10:30 AM ET

Visit the link in our bio to browse the catalogue and register to bid.

SPECIALIST'S PICK | "Beyond Peter Hujar’s extrem

SPECIALIST'S PICK | "Beyond Peter Hujar’s extremely dramatic depiction of Ethyl Eichelberger, I love this poster as a memorial of the theater/drag legend and her career. She knew she wanted to play the iconic women of history, and she made it happen, because, as she said of herself, 'Who would cast me as Medea?' I'd love to see what her experimental, one-woman show about a 1500s Italian duchess would look like - complete with acrobatics, accordion playing, and what I imagine would be total historical accuracy.” - Colby Byrne, Administrator, Vintage Posters⁠
⁠
Lot 278 coming to auction August 22. To browse the complete catalogue and register to bid visit the link in our bio.⁠

SWANN SALON | Join us this coming Monday, August 1

SWANN SALON | Join us this coming Monday, August 19 ahead of our sixth annual LGBTQ+ Art, Material Culture & History auction for a special Swann Salon to engage in dialogue about the artworks, literature, manuscripts, and archives featured in our sale.

Artists whose works are included in the sale will be joined by Swann specialists who helped build the auction, as well as independent curators to touch on the ways that the evolving cultural and artistic landscapes enrich the LGBTQ+ community.

Register at the link in our bio.

Advertising Julian Eltinge's second major career p

Advertising Julian Eltinge's second major career performance, the first being for the Boston Cadet Theatricals when he played the role of Mignonette in Miladi and the Musketeer. The musical comedy Miss Simplicity, written by Robert Ayres Barnet and with music by Harry Lawson Heartz, was sponsored by the Bank Officers' Association and premiered at Boston's Tremont Theatre in 1901.⁠
⁠
Eltinge enjoyed a long and successful career as a "female impersonator" on stage and screen, beginning when he was only ten. In addition to repeatedly playing dual characters (male and female) in the same show, he was also known to play in drag only to unsuspecting audiences, only to dramatically remove his wig at the end of the show, revealing his hidden identity. "Though Eltinge was gay, he wildly overcompensated by frequently getting in fist fights, smoking cigars, and having long 'engagements' with women – all of which were captured in staged publicity photographs."⁠
⁠
This image of the performer was also used on the cover of sheet music for the musical.⁠
⁠
At auction August 22. Estimate $800 to $1,200.⁠
⁠
(Quoted from https://legacyprojectchicago.org/person/julian-eltinge)

This prime example of Roman sculpture was original

This prime example of Roman sculpture was originally owned by the German photographer Wilhelm von Gloden, who acquired it while living in Sicily between 1894 and 1914. After von Gloden passed away in 1931, the bust entered the collection of his muse and heir, Pancrazio Buciunì. As fascism rose and Mussolini came to power, the Vatican allied with the government, and a significant portion of von Gloeden's inheritance was confiscated and destroyed by police as obscene. An Italian dealer brokered the bust sale from Buciunì to American playwright and screenwriter Tennessee Williams in 1948. Tennessee Williams and partner Frank Merlo gifted the sculpture to Gore Vidal as a housewarming gift in July 1950 when he acquired "Edgewater," a sprawling estate in Dutchess County, New York—previously owned by John Jay Chapman, who, with his second wife, Elizabeth Astor Chanler, purchased Edgewater in 1902. Vidal and his partner Howard Austen made Edgewater their home for nineteen years. Vidal and Austen lived with the bust, which they affectionately dubbed Alessio, for another thirty-four years, travelling with it as they divided their time between La Rondinaia, Ravello, Italy, and the Hollywood Hills. The provenance was confirmed by Victor Cambell, Tennesse Williams' final partner.⁠
⁠
At auction August 22. Estimate $50,000 to $75,000.

Featured in the upcoming LGBTQ+ Art, Material Cult

Featured in the upcoming LGBTQ+ Art, Material Culture & History auction on August 22 is Kent Monkman's study for "Icon for a New Empire," 2002. Estimate $6,000 to $9,000.⁠
⁠
Among many aspects of Monkman's allegorical work is a modern, indigenous, queer reflection on classical works of art. In doing so, he flips the historical narrative and creates a magical, at times ribald, present rife with insinuation and allegations of centuries of mistreatment of the First Nations people. Here, with acknowledgment to James Earle Fraser's sculpture End of the Trail (a small copy of which can be seen in the background), he depicts an artist breathing life into this very statue through a kiss. It is a gesture reminiscent of the artist in Jean-Léon Gérôme's painting, Pygmalion and Galatea. By doing so, Monkman repositions an icon of the American West as an object of sexual desire above and beyond its artistic merits. The irony of this sexual attraction can be found in the statue's original meaning, reflecting the suffering and cultural destruction visited on Native Americans by the colonizers of North America; with the main figure (modeled by Fraser after Seneca Chief John Big Tree) embodying the tribulations and exhaustion of a people driven from their native lands.⁠
⁠
Monkman's paintings can be found in private collections and institutions such as The Metropolitan Museum of Art; The Denver Art Museum; National Gallery of Canada; the Art Gallery of Ontario, and the Montreal Museum of Fine Arts.

Our Vintage Posters auction begins closing tomorro

Our Vintage Posters auction begins closing tomorrow, August 8, at 12 PM ET!

Visit the link in our bio to bid.

Nicholas D. Lowry on Vintage Magic Posters Aucti

Nicholas D. Lowry on Vintage Magic Posters

Auction closing August 8 beginning at 12:00 PM ET

Since its release, David Ebershoff’s debut novel

Since its release, David Ebershoff’s debut novel "The Danish Girl" and its subsequent 2015 film adaptation have reintroduced artist couple Gerda Wegener and Lili Elbe to a new generation of twentieth-century illustration appreciators. Born in Hammelev, Denmark, in 1886, Wegener’s fashion and erotica illustrations defied the conventional norms of gender and sexuality prevalent in her era. To learn more about Wegener and her artistic practice visit the link in our bio. ⁠
⁠
Pictured here is Gerda Wegener"s "Two Women in a Window," watercolor, chalk and pencil, circa 1920. Featured in our March 2023 19th & 20th Century Art sale.

Pictured here is Claude Clark's "Drafting," circa

Pictured here is Claude Clark's "Drafting," circa 1940-41. Sold in our January 2024 Artists of the WPA auction for $17,500⁠
⁠
This striking modernist painting and very scarce image of an African-American architect or architectural student is an excellent example of the early oil painting of Claude Clark. It was painted shortly after the artist was a student at The Pennsylvania School of Industrial Arts. In 1935, Clark won a four-year scholarship to study at the commercial art school. By his third year, Clark won the painting prize and had adopted his palette knife technique. From 1939-1942, Claude Clark was also a colleague of Dox Thrash and Raymond Steth in the Philadelphia Fine Print Workshop and the WPA workshop, where he worked in lithography and carborundum etching. In 1939, Clark was accepted to the Barnes Foundation for a fellowship study. In 1944, his painting Cutting Pattern was only the second work by an African-American artist accepted into the Barnes Foundation's permanent collection after Horace Pippin. ⁠
⁠
Today, Clark's paintings are found in numerous museum collections, including the David C. Driskell Center, the University of Maryland, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, and the Smithsonian Museum of American Art.⁠

LGBTQ+ Art, Material Culture & History is at aucti

LGBTQ+ Art, Material Culture & History is at auction August 22. Previewing Saturday, August 17, and Monday August 19, through Wednesday, August 21 — 12PM to 5PM⁠
⁠
Browse the complete catalogue and register to bid at the link in our bio. ⁠

Our Vintage Poster auction closes in one week! Thi

Our Vintage Poster auction closes in one week! This August 8 sale contains posters of many genres, including World War I and II propaganda, Art Nouveau, Magic, Circus, Food and drink, Mather Work Incentive, Sports, Transportation, Summer Resort and travel, and many more. ⁠
⁠
The exhibition is open from Monday, August 5, through Wednesday, August 7 — 12-5 PM. Register to bid now!⁠
⁠
⁠
Above: ⁠
1) Adolphe Mouron Cassandre, "Grand - Sport La Casquette," 1925.⁠
2) Henri de Toulouse-Lautrec, "Ambassadeurs / Aristide Bruant," 1892.⁠
⁠

TIMED AUCTION | This summer’s Vintage Posters au

TIMED AUCTION | This summer’s Vintage Posters auction at Swann encompasses a broad array of genres, spanning the nineteenth through twenty-first centuries and from countries around the globe. ⁠
⁠
Timed bidding is open now through August 8 and begins closing at 12 PM ET. Previewing Saturday, August 3, and Monday, August 5, through Wednesday, August 7 — 12 PM - 5 PM⁠
⁠
Browse the complete catalogue and register to bid at the link in our bio.

Load More... Follow on Instagram

Swann
Departments
Auctions & Catalogues
Contact Us
- 104 East 25th Street,
  New York, NY 10010
  (212) 254-4710
  swann@swanngalleries.com >
- facebook
  
  twitter
  
  Instagram
- Newsletter >

A Semimonthly Summary of
Goings-on at Swann.

Sign up here for our newsletter and we'll keep you updated.
You can unsubscribe at any time.

Thank you for subscribing

You'll receive an email from us soon.

Your Email

Yes, I want email updates from Swann Auction Galleries.
Our Privacy Policy