Sale 2487 - African-American Fine Art, October 4, 2018

B I B L I O G R A P H Y Lewis, Samella. Barthé: His Life in Art. Los Angeles, CA: UnityWorks, 2009 Nesbett, Peter T. Jacob Lawrence,The Complete Prints (1963-2000). Seattle: Francine Seders Gallery Ltd., in association with University ofWashington Press, Seattle and London, 2001. Oehler, Sarah Kelly and Esther Adler. CharlesWhite:A Retrospective . New Haven and London:Yale University Press, 2018. Porter, James A. and Constance Porter Uzelac. James Amos Porter: Spotlight on HisWork on Paper. Fort Lauderdale:Westport Foundation and Gallery, 1998. Powell, Richard J., andVirgina M. Mecklenburg. African American Art: Harlem Renaissance, Civil Era and Beyond. Washington, DC, 2012. Reynolds, Gary A. and Beryl J.Wright. Against the Odds:African-American Artist and the Harmon Foundation. Newark:The Newark Museum, 1989. Sims, Patterson. Anxious Objects:Willie Cole’s Favorite Brands . New Brunswick, NJ: Rutgers University Press, 2006. Taha, Halima.Three Decades of American Printing:The BrandywineWorkshop Collection. NewYork and Manchester: Hudson Hills Press, 2004. Theisen, Ollie Jensen, and John Thomas Biggers. A Life on Paper:The Drawings and Lithographs of JohnThomas Biggers. Denton,TX: University of North Texas Press, 2006. Vendryes, Margaret Rose. Barthé:A Life in Sculpture. Jackson, MS: University of Mississippi Press, 2008. Wardlaw,Alvia J. The Art of John Biggers:View from the Upper Room . NewYork: Harry N.Abrams, Inc., 1995. Wardlaw,Alvia J. Charles Alston:The David C Driskell Series of African American Art:VolumeVI . San Francisco, CA: Pomegranate Press, 2007.