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99 ANTHONY VAN DYCK
Two portrait etchings.
Jan Bruegel
, circa 1630. 246x157 mm; 9
3
/
4
x6
1
/
4
inches. Sixth state (of 7). Triple crescent
watermark (Mauquoy-Hendrickx 314) *
Erasmus of Rotterdam
, circa 1630. 243x157 mm;
9
5
/
8
x6
1
/
8
inches, wide margins. Third state (of 5). Strasburg Lily watermark
(Mauquoy/Hendrickx 147 ff.). A superb, early impression with very strong contrasts and
no sign of wear. Hollstein 1 and 5; Mauquoy-Hendrickx 1 and 5.
With—An engraved portrait after Van Dyck.
[1,500/2,500]
100
●
CHRISTOFFEL JEGHER (after Rubens)
Silenus Accompanied by a Satyr and a Faun
.
Woodcut, circa 1635. 447x338 mm; 17
3
/
4
x13
1
/
4
inches, small margins. First state (of 2), with
the address of Rubens. A good impression of this large, scarce woodcut. Hollstein 16.
[2,000/3,000]
101
●
CHRISTOFFEL JEGHER (after Rubens)
The Temptation of Christ by the Devil
.
Woodcut, circa 1630. 323x430 mm; 12
3
/
4
x17 inches, wide margins. Second state (of 3). A
superb, evenly-printed impression with strong contrasts on thin, cream laid paper. Hollstein 6.
[2,000/3,000]
99