100 / 218
122
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REMBRANDT VAN RIJN
The Raising of Lazarus:The Larger Plate
.
Etching, engraving and drypoint, circa 1632.
370x261 mm; 14
5
/
8
x10
1
/
4
inches, thread
margins. Biörklund’s ninth state (of 9);
Usticke’s eighth state (i-l) (of 10), after the
Watelet rework;White and Boon’s tenth
state (of 10).A very good, well-inked, dark
and evenly-printed impression with strong
contrasts. Bartsch 73; Biörklund 32-4;
Hollstein (White and Boon) 73.
[5,000/8,000]
123
●
REMBRANDT VAN RIJN
The Descent From the Cross: Second Plate
.
Etching and engraving, 1633. 523x405 mm;
20
5
/
8
x16 inches, wide margins. Biörklund’s
fourth state (of 5); Usticke’s fourth state (i)
(of 5);White and Boon’s fourth state (of
5). A very good, dark impression of this
large etching,with strong contrasts. Bartsch
81; Biörklund 33-C; Hollstein (White and
Boon) 81.
[4,000/6,000]
122
123