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483
●
JOAN MIRÓ
Anti-Platon
.
Aquatint and etching on
Japon nacré
, 1951-62. 128x90 mm; 5x3
1
/
2
inches, full margins.
Numbered 14/15 in pencil, lower left. Printed by Lacourière and Frélaut, Paris. Published
by Maeght, Paris. From the same-titled suite. A superb, richly-inked impression. Dupin
74; Cramer 77.
[1,000/1,500]
484
●
JOAN MIRÓ
Anti-Platon
.
Color aquatint and etching on
Japon nacré
and 2 aquatints and etching on
Japon nacré
, 3
impressions total, 1951-62. Each 90x128 mm; 3x5
1
/
2
inches, full margins. Each numbered
14/15 in pencil, lower left. Printed by Lacourière and Frélaut, Paris. Published by Maeght,
Paris. Both from the same-titled suite. Superb, richly-inked impressions.
Miró first produced this plate in 1951 as a deluxe greeting card for Galerie Maeght, Paris,
and later reworked it, adding figural etchings, in 1962 to illustrate a deluxe edition of
Anti-Platon
byYves Bonnefoy. Dupin 73; Cramer 77.
[3,000/5,000]
485
●
JOAN MIRÓ
Femme et Oiseau devant la Lune
.
Etching and aquatint, 1947. 113x149 mm; 4
1
/
2
x5
7
/
8
inches, wide margins. Signed, dated
and numbered 86/300 in pencil, lower margin. Printed by Atelier 17, NewYork. Published
by Laurel Gallery, NewYork. From
Laurels Number One
. A very good, dark impression of
this early etching. Dupin 51.
[2,000/3,000]
484