Swann Galleries - The Shape of Things to Come: African-American Fine Art - Sale 2353 - June 10, 2014 - page 210

Amaki,Amalia K., and Andrea Barnwell Brownlee.
HaleWoodruff, Nancy Elizabeth Prophet, and the
Academy
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Corlett, Mary Lee.
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. CreatingTheir Own Image:The History of African-AmericanWomen Artists.
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The Art of Romare Bearden, 1911-1988.
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Garcia,Alicia.“Muse and Method in Romare Bearden’s ObeahWatercolors.”
Conjuring Bearden
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Introduction to theWork of CharlesW.White with a Catalogue Raisonné
. Los
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Gelburd, Gail and Alex Rosenberg.
A Graphic Odyssey: Romare Bearden as Printmaker
. Philadelphia:
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BobThompson
. NewYork:Whitney Museum of American Art, 1998.
Grynsztejn, Madeleine, and David Frankel.
Carnegie International 1999/2000
. Pittsburgh, PA:
Carnegie Museum of Art, Carnegie Institute, 1999.
Hanzal, Carla M.
Loïs Mailou Jones:A Life inVibrant Color
. Charlotte, NC: Mint Museum of Art, 2009.
Herzog, Melanie Anne.
Elizabeth Catlett:American Artist in Mexico.
Seattle and London: University of
Washington Press, 2005.
Jones, Kellie.
Now DigThis!:Art & Black Los Angeles, 1960-1980
. Los Angeles: Hammer Museum, 2011.
King-Hammond, Leslie.
GumboYaYa:Anthology of Contemporary African-AmericanWomen Artists
. New
York: Midmarch Arts Press, 1995.
Marion, Sara L.
Stages of Influence:The Universal Theatre of Hughie Lee-Smith
.Albuquerque, NM:
University of New Mexico Art Museum, 2001.
Nesbett, Peter T.
Jacob Lawrence,The Complete Prints (1963-2000)
. Seattle: Francine Seders Gallery
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Porter, James A.
Modern Negro Art
. NewYork:Arno Press, 1969.
Powell, Richard J. and Jock Reynolds.
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Conserve a Legacy
. NewYork: Studio Museum in Harlem, distributed by the MIT Press, Cambridge,
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