134
●
PARR, MARTIN.
Martin Parr.
A sumptuously-produced monograph documenting the career of this prominent contemporary
photographer.Oblong 4to,silver-stamped red leather over silver-stamped brown cloth;housed in a beautiful
orange and floral-patterned clamshell box.
ONE OF AN EDITION OF
100
SIGNED COPIES ISSUEDWITH A PRINT
.
(London): (Phaidon), (2002)
[500/750]
WITH
—
”Pink Pig Cakes,” from “Common Sense.” C-print, 9
1
/
2
x14
1
/
2
inches (cm.), with Parr’s
signature and edition notation 26/100, in ink, on verso; housed in a folder within the clamshell box.
1995-1999; printed 2002.
135
●
MANN, SALLY.
At Twelve, Portraits of Young Women * Immediate Family.
Together, 2 of Mann’s best-known and earliest monographs.The first with an introduction by Ann
Beattie.The second with an afterword by Reynolds Price. 4tos, both in gray cloth; photo-pictorial
dust jackets.
FIRST EDITIONS
,
EACH SIGNED BY MANN
.
Aperture, (1988) and (1992)
[500/750]
136
●
MANN, SALLY.
Select group of 4 important titles, each signed by the photographer.
Each with numerous reproductions of Mann’s exquisite photographs, including the rarely seen New
YorkTimes Magazine profile from 1992. Folios (4), one gray cloth, one with a mounted photo-pictorial
reproduction and 2 photo-pictorial wrappers, the first with a photo-pictorial dust jacket.
FIRST EDITIONS
,
EACH SIGNED BY MANN
,
AND ONE ADDITIONALLY SIGNED BY EMMETT
,
JESSIE
,
AND VIRGINIA MANN
.
Vp,Vd
[400/600]
The New York Times Magazine, September 27, 1992, featuring the article “The Disturbing
Photography of Sally Mann,” with her signature * Mother Land, Recent Landscapes of Georgia and
Virginia. (Edwynn Houk Gallery), (1997) *What Remains. Boston: Bulfinch Press, (2003) * Sally
Mann.Additionally signed by Emmett, Jessie, andVirginia Mann. NewYork: Gagosian Gallery, (2006).
134
