9
(AMERICAN INDIANS—PHOTOGRAPHS.) Rinehart, Frank A.
Squaw
Medicine Dance, Crow.
Platinum print, 7
1
/
4
x 9
1
/
4
inches, unmounted; faint crease in
upper left corner, inked stamp of Kieser’s Book Store, Omaha on verso, numbered “1773”
in negative.
Omaha, NE, 1900
[700/1,000]
9
10
10
(AMERICAN INDIANS—PHO-
TOGRAPHS.) Rinehart, Frank A.
[In
Summer, Kiowa.]
Platinum print, 8
3
/
4
x
7
1
/
4
inches; lacking
1
/
2
-inch section in upper
left corner, mount remnants on verso, cap-
tioning in negative quite faint and partially
illegible. [Omaha, NE], 1898
[600/900]
11
(AMERICAN INDIANS—
SENECA.) Cusick, David.
Sketches of
Ancient History of the Six Nations.
4
plates. 8vo, publisher’s illustrated wrappers,
reinforced on backstrip but otherwise mini-
mal wear; short repaired tear on final leaf.
Third edition. Field 393; Howes C979.
Lockport, NY, 1848
[200/300]
12
(AMERICAN INDIANS—SENECA.) Ewing, William.
Manuscript deed, 1795,
mentioning “The White Woman.”
Contemporary manuscript copy of a deed to
Timothy Green and Cornelius N. Bogart. 4 pages, 12
3
/
4
x 7
3
/
4
inches, on one sheet; minor
foxing.
Np, 6 June 1795
[250/350]
A deed for a large tract of frontier land in western New York, “situated on the main branch of
the Genesee River about 15 miles above the fork of said river, to include a place called
Unnundana, begining at the fur flats below Unnundana (about six miles above where the
White Woman now lives), from thence running up said river to a place called Flat-Rocks.”
This is a rare early reference to Mary Jemison, the “White Woman of the Genesee,” almost
thirty years before Seaver’s narrative made her famous.
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