was a close friend of Gauguin during the late 1880s/early 1890s. Based on the etched
inscrption upper right, “Chez Seguin à St. Julien,” the scene takes place at Seguin’s Breton
home in Pouldu. Current scholarship regarding authorship for the print leans toward
Gauguin, in its similarities to other of his Breton female portrait compositions. Kornfeld 25.
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