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179
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CAMERA WORK.
Number 11.
Edited by Alfred Stieglitz. Illustrated with 11 plates, comprising 5 photogravures and 6 halftones
after photographs by
D
.
O
.
HILL AND ROBERT ADAMSON
,
EDWARD STEICHEN
,
ROBERT DEMACHY
and
A
.
HORSLEY HINTON
. 4to, original gray wrappers, small creases and tears to edges.
NewYork, 1905
[2,000/3,000]
David Octavius Hill and Robert Adamson’s “Dr. Munro,” “Mrs. Rigby,” “Lady Ruthven,” “John
Gibson Lockhart” (halftone), “‘Christopher North’ (ProfessorWilson)” (halftone), and “Mrs. Jameson”
(halftone) * Edward Steichen’s “Rodin—Le Penseur” (halftone) and “Portrait of a Young Man”
(halftone) * Robert Demachy’s “L’Effort” (halftone) * A. Horsley Hinton’s “Rain From the Hills”
and “Beyond.”
From a Private Collector, Michigan.
180
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CAMERA WORK.
Number 18.
Edited by Alfred Stieglitz. Illustrated with 10 photogravures after photographs by
GEORGE DAVISON
,
SARAH C
.
SEARS
, and
WILLIAM B
.
DYER
. 4to, original gray wrappers, chips and slight wear to edges
with areas of loss at the head and tail of the backstrip.
NewYork, 1907
[800/1,200]
George Davison’s “The Onion Field—1890,” “In aVillage under the South Downs,” “AThames Locker,”
“Wyvenhoe on the Colne in Essex,” “The Long Arm,” and “Berkshire Teams and Teamsters” * Sarah C.
Sears’ “Mrs. JuliaWard Howe” and “Mary” *William B. Dyer’s “The Spider” and “L’Allegro.”
From a Private Collector, Michigan.
179