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65
●
(CHARLOTTE’S WEB.)
Art
Department Drawings.
Nearly 100 sheets
loose in two plastic portfolios, printed on
rectos only. 11
3
/
4
x16
1
/
2
inches; with
Paramount Pictures logo or plain lettering.
Reproductions of set design blueprints by
production designer Stuart Wurtzel for
Charlotte’s Web.With a group of earlier state
reproductions annotated with character
placement and cues as indicated in
corresponding color pens inWinick’s hand.
Np, 2004-05
[300/400]
66
●
(CHARLOTTE’S WEB.)
Original
film props.
Two Somerset Register newspaper
front pages as seen in the film. Each 14
1
/
2
x10
1
/
2
inches (within mat). Black and white letterpress
and photographic illustrations. One features
Charlotte’s first message in large headlines
“Some Pig!”, the second announces “Terrific!
Another Amazing Web!!” and each with
accompanying illustration. Framed separately.
Np, c. 2005
[250/350]
67
●
(CHARLOTTE”SWEB.)
Production ephemera.
Various production and post-production
artifacts. Comprising: 2 framed and matted photographs; Charlotte as she appears in the film (4
1
/
4
x6
1
/
4
inches), and a back-lot photo of the productions’ motorized cart with a photoshoppedWilbur and
spider web spelling out “Some Director” signed by the post-production crew (8x10 inches); the
blue ribbon awarded to Wilbur and Homer Zuckerman at the Somerset County Fair; a framed
Japanese movie poster for the film (13x9
3
/
4
inches); and a lithograph of a spider spinning a web
composed of musical notations through a saxophone, signed (“Vail”) and titled (“Charlotte’sWeb”)
in pencil. An interesting collection of souvenirs from the 2006 film. Np, c. 2006
[300/400]
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